内容简介

To great writers, Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labour their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of 13 years - "the theatre," as the author called it, "of all my struggles and all my ideas." Focusing on the arcades of 19th century Paris - glass-roofed rows of shops that were early centres of consumerism - Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as "fashion," "boredom," "dream city," "photography," "catacombs," "advertising," "prostitution," "baudelaire," "theory of progress." His central preoccupation is what he calls the commodification of things -a process in which he locates the decisive shift to the modern age. This book is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

精彩摘录

重要的是，从没有＂伟大＂的东西，而只有辩证的对比，这种对比似乎经常无法从细微差别中区分出来，但是这些细微差别，生活得以新生。

——引自第459页

Worldexhibitionsareplacesofpilgrimagetothecommodityfetishworldexhibitionsglorifytheexchangevalueofthecommodity...theentertainmentindustrymakesthiseasierbyelevatingthepersontothelevelofthecommodity

——引自第7页