《中国少数民族服饰:英文》内容简介:Costume is the crystal of human wisdom as well as fruits out of their labor. During human being's long process of evolution and development, minority cos-tumes in China also have had their own changes and development, becoming the cultural symbol for China's 56 nationalities by decorating their living world.
Costume is a visual language and window for civilization.
《中国少数民族服饰:英文》是中国民族多元文化丛书之一。
Costume is the crystal of human wisdom as well as fruits out of their labor. During human being's long process of evolution and development, minority cos-tumes in China also have had their own changes and development, becoming the cultural symbol for China's 56 nationalities by decorating their living world.
Costume is a visual language and window for civilization. Minority costumesin China are rich in ornaments and beautiful in color. Some are long while others are short; some are simple while others are complicated. But as a whole, there is a difference between north robes and south skirts. The northern nomadic people living in the Mongolian Tableland, the Tibetan Tableland and Xinjiang Basingrassland, or the nationalities that have had the life of nomadism and hunting,have chosen their production and living ways belonging to the herding and hunt-ing civilizations as a reason of their living space in the north of the Great Wall for a long time with freezing cold tablelands, deserts, forests and grasslands,such as the Mongols, Tibetan, Ewenki, Oroqen, Manchu, Kazakh, and etc. Theywear robes and boots, which become the symbol for horse-riding nationalities.The minorities in the south living on rice economy are known for their skirts.Even the landforms vary in China's south central, south-west and south-east, asmost of the regions have a warm, humid and rainy climate, the minorities livingin these regions choose rice planting as their living method, such as Tong, Miao,Lisu, Buyi, Pumi, De'ang, Dai, Zhuang and Gaoshan, with their costumes suit-able for their daily life in the style, quality or color. Each nationality's costume is its self-identification. Skirts are popular in the southern minorities, whereasthe style, color and design vary greatly from each other. Dai's tube skirts, shortskirts in Hani and Jinuo, and skirts called "Bafuluoqun" in Va and Tujia have allbecome kinds of decorations and signs distinguishing themselves from others.The women of Shui make an even more outstanding difference from others by putting on skirts outside their long pants.
The traditional Korean suit-dress has a feature of short coats and long skirts.The collar of the coat (zegaoli) is connected with the front into an oblique line,open with right front without buttons; long to the bosom, at the present coat'sthird button position. The skirt is as long as reaching to the knees or to the feetaccordingly. The sleeves have a large arc, with a butterfly knot using long silkribbon tying the two fronts. Cloth strips in various colors are used to embroiderthe collar lines and cuffs. Colorful silk and satin are embroidered in cuffs andfront edges of coats for young women and girls. The coat assorts with long skirt,setting off women's curving beauty. Their skirts are called "qima" in Korean,classified as tube skirts and tangling skirts which have the difference of longskirts and short skirts. The tube skirts sewed up, different from ones in other na-tionalities, as they have many fine pleats at the waist in order to suit the waist-body, connected above with a small white vest open in the front with buttonslike a pullover. This kind of skirts is as long as reaching the knees, suitable forlaboring and walking. The tangle skirt is wrapped for the lower body shaped likea helix; the left lower corner will be lifted and tucked into the girdle, suited witha white shirt inside. Young women are found of tube skirts and short skirts whileold women most of the time wear tangle skirts and long skirts. Yellow coatsand pink skirts are typical for traditional suit dress. Materials for making youngwomen's coats are very colorful.
The traditional Korean suit-dress has a feature of short coats and long skirts.The collar of the coat (zegaoli) is connected with the front into an oblique line,open with right front without buttons; long to the bosom, at the present coat'sthird button position. The skirt is as long as reaching to the knees or to the feetaccordingly. The sleeves have a large arc, with a butterfly knot using long silkribbon tying the two fronts. Cloth strips in various colors are used to embroiderthe collar lines and cuffs. Colorful silk and satin are embroidered in cuffs andfront edges of coats for young women and girls. The coat assorts with long skirt,setting off women's curving beauty. Their skirts are called "qima" in Korean,classified as tube skirts and tangling skirts which have the difference of longskirts and short skirts. The tube skirts sewed up, different from ones in other na-tionalities, as they have many fine pleats at the waist in order to suit the waist-body, connected above with a small white vest open in the front with buttonslike a pullover. This kind of skirts is as long as reaching the knees, suitable forlaboring and walking. The tangle skirt is wrapped for the lower body shaped likea helix; the left lower corner will be lifted and tucked into the girdle, suited witha white shirt inside. Young women are found of tube skirts and short skirts whileold women most of the time wear tangle skirts and long skirts. Yellow coatsand pink skirts are typical for traditional suit dress. Materials for making youngwomen's coats are very colorful.
The traditional Korean suit-dress has a feature of short coats and long skirts.The collar of the coat (zegaoli) is connected with the front into an oblique line,open with right front without buttons; long to the bosom, at the present coat'sthird button position. The skirt is as long as reaching to the knees or to the feetaccordingly. The sleeves have a large arc, with a butterfly knot using long silkribbon tying the two fronts. Cloth strips in various colors are used to embroiderthe collar lines and cuffs. Colorful silk and satin are embroidered in cuffs andfront edges of coats for young women and girls. The coat assorts with long skirt,setting off women's curving beauty. Their skirts are called "qima" in Korean,classified as tube skirts and tangling skirts which have the difference of longskirts and short skirts. The tube skirts sewed up, different from ones in other na-tionalities, as they have many fine pleats at the waist in order to suit the waist-body, connected above with a small white vest open in the front with buttonslike a pullover. This kind of skirts is as long as reaching the knees, suitable forlaboring and walking. The tangle skirt is wrapped for the lower body shaped likea helix; the left lower corner will be lifted and tucked into the girdle, suited witha white shirt inside. Young women are found of tube skirts and short skirts whileold women most of the time wear tangle skirts and long skirts. Yellow coatsand pink skirts are typical for traditional suit dress. Materials for making youngwomen's coats are very colorful.
民间性巫术 本书特色 巫术是一种信仰和行为的总称,因为它是不可证实的,又不是借助于神灵,所以又别于宗教。*主要的巫术形式是交感巫术,即相信由神秘的交感作用可使本...
中国传统雅扇 内容简介 从敲击**块石片开始,人类文明正是通过人手的不断劳作得以一步一步地向前推进,呈现出今天这样多姿多彩的景象。工业化以来的三百年,我们将太多...
中国寿文化图集 内容简介 “五福寿为先”。在中国传统的“五福”中,寿是排在**位的。人的幸福是以健康长寿为前提,有寿即福,短寿者一切皆空。古人在庆祝寿诞的历史过...
锡山先哲丛刊 内容简介 民国11年至20年,侯鸿鉴等编刻《锡山先哲丛刊》四辑19册,收入《无锡县志》、《愚公谷乘》、《秋水文集》、《竹炉图咏》、《浦舍人诗集》、...
《Excel函数、公式、图表、数据处理从新手到高手》内容简介:本书详细介绍了数据处理与分析工作中所需使用的Excel技术,以及将这些
现代汉语析义元语言研究 本书特色 《语义语法学研究系列:现代汉语析义元语言研究》基于人本主义语义观,建构了析义元语言系统研究的理论和方法,重新界定了义征的性质,...
(平装)北大国学课 内容简介 《北大必修课:北大国学课》精选了章太炎、吕思勉、刘师培、鲁迅、闻一多、梁启超、钱理群、张祥龙、王娟、张辛、蔡礼旭、彭林、孙开泰等1...
写作技法研究 本书特色 吴素娥、金鹏善编著的《写作技法研究》分为三大部分:**编“写作技法示例举要篇”;第二编“写作技法综合艺术篇”;第三编“写作理论探讨及文艺...
荷衣蕙带-中西方内衣文化 本书特色 《荷衣蕙带(中西方内衣文化)》由潘健华著。理清中西方内衣文化的思想脉络,梳理中西方内衣文化的各方各面。在长期收藏、整理、考析...
行走中国-天府川西 本书特色 地处四川盆地西部的成都平原,自然条件得天独厚,物产丰富,人杰地灵,数千年来,天府子民在这片肥沃的土地上生生不息、安居乐业、孕育出源...
伍迪·艾伦是世界影坛中最独特、最具魅力的导演之一,他的电影别具一格,且拍摄速度之快、获奖数量之多,几乎无人能及。.伍迪·艾伦在本书中回顾了三十余年的创作历程,涵...
不論你是20歲、30歲、40歲、甚至70歲……都不要放棄尋覓真愛的機會!現在的你,過得幸福嗎?身旁有人陪伴嗎?而陪伴你的那個人,真的是你夢想中愛你、懂你、珍惜你...
若弗鲁瓦·德·贝纳尔(Geoffroy de Pennart),法国家喻户晓的童书作家,外号“狼爷爷”。1951年生于巴黎,1974年毕业于巴黎高等艺术设计学院...
2014-2023年-民间择吉农家历 本书特色 曾强吾编著的这本《民间择吉农家历(2014-2023年)》共分七个部分,内容包括:天文历法知识;民间择吉;各月气...
中国文艺研究前沿报告 内容简介 密切关注世界与中国发生的重大事件、人物和学术流派的*新动态,把握全球化时代世界与中国在政治、经济、文化、艺术等方面的*新变化。本...
细说字谜 内容简介 这是一本系统探讨现代字谜构成和制作规律的书籍。它详尽地分析了楷体汉字在字谜中的应用情况,具体探讨了楷体汉字在适应字谜设制时所表现出来的种种特...
传统文化 中华传统民间游戏常识 本书特色 《中华传统民间游戏常识》讲述中华文化是世界上*古老的文化之一,也是中华民族智慧的结晶。它丰富的内涵,不仅充分表现出以华...
思想在旅途 本书特色 林凯所著的《思想在旅途》是一种对于人生、社会诸多问题的思想性平议,以其精炼而多成警句、“炼话”,或曰箴言。作者有丰富的阅历,并善于发现人生...
《师集贤传》内容简介:本书为雨花台烈士传丛书第5辑之一,记叙了烈士师集贤革命奋斗的一生。师集贤是陕西合阳人,1899年出生,192
国学必读 内容简介 本书共分为上下册,主要内容包括:魏文帝《典论》论文;梁昭明太子《文选》序;梁简文帝与湘东王论文书;宋苏子瞻答谢民师论文书等。国学必读 目录 ...