翻译.改写以及对文学名声的制控 目录

翻译.改写以及对文学名声的制控 节选

《翻译、改写以及对文学名声的制控》作者指出翻译不仅仅是语言层次上的转换，它更是译者对原作所进行的文化层面上的改写。作者在书中引进了“改写”（rewriting）这个重要概念，它泛指对文学原作进行的翻译、改写、编撰选集（anthology）、批评（criticism）和编辑（editing）等各种加工和调整的过程。作者指出，在不同的历史条件下，改写主要受到意识形态（ideology）和诗学形态（poetology）两方面的限制。改写者往往会对原作进行一定程度上的调整，以使其与改写者所处时期主流意识形态和诗学形态相符，从而达到让改写的作品被尽可能多的读者接受的目的。 《翻译、改写以及对文学名声的制控》在论证的过程中，引用了多国历代文学名著的翻译实例，分析研究了他们在不同时期被不同的人进行改写的过程。这些实例都具有相当浓厚的文化色彩和时代代表性，令读者在熟悉翻译理论的同时能够领略到世界文学殿堂的奥妙。

翻译.改写以及对文学名声的制控 相关资料

Which advertises, incorporates, and supportsthem.Whoever identifies the goal of literary studies as such with theinterpretation of texts will either have no explanation for thesephenomena, or else have somewhat embarrassed recourse tovague notions such as fate. It is my contention that the processresulting in the acceptance or rejection, canonization or non-canonization of literary works is dominated not by vague, but byvery concrete factors that are relatively easy to discern as soon asone decides to look for them, that is as soon as one eschewsinterpretation as the core literary studies and begins to addressissues such as power, ideology, institution, and manipulation. Assoon as one does this, one also realizes that rewriting in all its formsoccupies a dominant position among the concrete factors justreferred to. This book is an attempt to emphasize both theimportance of rewriting as the motor force behind literaryevolution, and the necessity for further in-depth study of thephenomenon.Rewriters have always been with us, from the Greek slave whoput together anthologies of the Greek classics to teach the childrenof his Roman masters, to the Renaissance scholar who collatedvarious manuscripts and scraps of manuscripts to publish a more orless reliable edition of a Greek or Roman classic.

翻译.改写以及对文学名声的制控 作者简介

作者：（英国）勒菲弗尔（Andre Lefevere） 合著者：夏平安德烈·勒菲弗尔，翻译研究领域世界一流的学术带头人。著术丰厚，包括《诗歌翻译：七种策略和一个蓝图》(Translation Poetry：Seven Strategies and a Blueprint)、《翻译、改写以及对文学名声的制控》(Translation，Rewriting and the Manipulation of Literary Fame)等。

翻译.改写以及对文学名声的制控 本书特色

《翻译、改写以及对文学名声的制控》：国外翻译研究丛书之24。

翻译.改写以及对文学名声的制控 节选

《翻译、改写以及对文学名声的制控》作者指出翻译不仅仅是语言层次上的转换，它更是译者对原作所进行的文化层面上的改写。作者在书中引进了“改写”（rewriting）这个重要概念，它泛指对文学原作进行的翻译、改写、编撰选集（anthology）、批评（criticism）和编辑（editing）等各种加工和调整的过程。作者指出，在不同的历史条件下，改写主要受到意识形态（ideology）和诗学形态（poetology）两方面的限制。改写者往往会对原作进行一定程度上的调整，以使其与改写者所处时期主流意识形态和诗学形态相符，从而达到让改写的作品被尽可能多的读者接受的目的。 《翻译、改写以及对文学名声的制控》在论证的过程中，引用了多国历代文学名著的翻译实例，分析研究了他们在不同时期被不同的人进行改写的过程。这些实例都具有相当浓厚的文化色彩和时代代表性，令读者在熟悉翻译理论的同时能够领略到世界文学殿堂的奥妙。

翻译.改写以及对文学名声的制控 相关资料

Which advertises, incorporates, and supportsthem.Whoever identifies the goal of literary studies as such with theinterpretation of texts will either have no explanation for thesephenomena, or else have somewhat embarrassed recourse tovague notions such as fate. It is my contention that the processresulting in the acceptance or rejection, canonization or non-canonization of literary works is dominated not by vague, but byvery concrete factors that are relatively easy to discern as soon asone decides to look for them, that is as soon as one eschewsinterpretation as the core literary studies and begins to addressissues such as power, ideology, institution, and manipulation. Assoon as one does this, one also realizes that rewriting in all its formsoccupies a dominant position among the concrete factors justreferred to. This book is an attempt to emphasize both theimportance of rewriting as the motor force behind literaryevolution, and the necessity for further in-depth study of thephenomenon.Rewriters have always been with us, from the Greek slave whoput together anthologies of the Greek classics to teach the childrenof his Roman masters, to the Renaissance scholar who collatedvarious manuscripts and scraps of manuscripts to publish a more orless reliable edition of a Greek or Roman classic.

翻译.改写以及对文学名声的制控 作者简介

作者：（英国）勒菲弗尔（Andre Lefevere） 合著者：夏平安德烈·勒菲弗尔，翻译研究领域世界一流的学术带头人。著术丰厚，包括《诗歌翻译：七种策略和一个蓝图》(Translation Poetry：Seven Strategies and a Blueprint)、《翻译、改写以及对文学名声的制控》(Translation，Rewriting and the Manipulation of Literary Fame)等。