'There have been few critical engagements with the concept of creativity in recent years, so the authors provide an important contribution in drawing attention to what is arguably at the heart of much of what we most value in culture' - Douglas Kellner, University of California, Los Angeles. 'In this important book, Keith Negus and Michael Pickering challenge commonplace assumptions about creativity and casual invocations of genius. They give comfort neither to popular wisdom nor to academic convention. Drawing on the work of philosophers, sociologists, political theorists and economists, as well as artists, musicians and novelists, they raise profound questions about the very ideas which sustain our understanding of art and culture' - Professor John Street, University of East Anglia.'It's all too rare to read a cultural studies book that offers any real originality. This one achieves this, not only by addressing debates and sources neglected in the field, but also by traversing high and low culture, and all points between' - Dave Hesmondhalgh, The Open University. Creativity has become a buzzword and key issue in debates about cultural policy, human growth and the media and cultural industries. It has also become a very misused term used to describe anything from musical and artistic genius, to shady financial accounting, to the teaching of children and the management of employees. But what does it mean? Negus and Pickering provide a clear and logical way of understanding what we describe as creative, and how this term has become central to attaching cultural value.Their book develops an approach which enables us to think of creativity as both ordinary and exceptional. It focuses on creativity as a way of rethinking key concepts in the study of culture such as: Convention; innovation; tradition and experience. This book is useful to those studying Media and Cultural Studies who need to understand Cultural Production, Communication, Popular Culture and Cultural Theory.
斯蒂芬·茨威格(1881-1942),当今拥有读者最多、最受读者喜爱的奥地利籍德语作家。他的作品已经被译成数十种文字,小说名篇大都被搬上银幕。主要作品有《心灵的...
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夏笳,本名王瑶,1984 年生。北京大学中文系博士,西安交通大学人文社会科学学院副教授。作品多次获中国科幻银河奖和全球华语科幻星云奖,并被译为多种语言。英文小说...
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1986年毕业于同济医科大学医疗系,精神科副主任医师,被誉为“精神分析届的播种机”。创立了被称为“中国塔维斯托克”(TAVISTOCK)的武汉中德(现改称为忠德...
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★编辑推荐“西方文明论”将欧洲和美国描述为人类发展的巅峰,然而这一20世纪初才出现的地理文化概念,是建立在一系列虚构的叙事和修辞之上,通过抹杀其他地区的现代性,...